quiet/update

Things have been quiet here for awhile; I try not to get too personal here, so I'll only say my absence has been due mainly to the sudden and unexpected death of my mother in early February. The disruption in my life this has caused has been, to say the very least, considerable. I've also been quite busy with teaching this semester; both courses meet three days a week, which makes every day except Saturday into a teaching/prep day. I've chosen to teach books that, for the most part, I've never taught before, too, so that has required more prep than usual (I also misjudged and assigned several very long YA texts for my Representing Adolescence class). I did a week of picturebooks in my Childhood's Books class, the first time I've ever taught picturebooks in such a concentrated way. I often use Where the Wild Things Are as a way to teach/demonstrate close reading, but rarely as part of the canon of children's literature (I also did Green Eggs and Ham and David Wiesner's The Three Pigs - I had a fantastic week doing prep for picturebook week). I have also realized that I am terrible at teaching Diana Wynne Jones, for all that I passionately love her books; my critical faculties just wilt in the face of her brilliance. I tried teaching Charmed Life, and they were underwhelmed. The only Jones book I have had any luck with teaching is (of course) Howl's Moving Castle. I don't know what to call it if something is both your weak spot and your favorite thing, but Diana Wynne Jones is mine. I think I can live with this.

I've been thinking a lot about adolescence and high school and YA and YA dystopian fiction; I had the incredible good fortune to have a fantastic group in my Representing Adolescence class, and our discussions were consistently thought-provoking and intriguing. I've been working on some of my ideas about dystopian YA, and hope to post that before too much longer. I also have my dissertation to work on, as well as converting some papers and draft chapters into articles for submission. A busy summer of work ahead, which is good.

In the meantime, Jonathan Auxier has a new book coming out in May, and he is writing about becoming a writer - "After the book deal" - on blogs around the internet - check out what he has to say (he's quite smart). The book, The Night Gardener, has been getting very, very good advance buzz, and I'm keen to get my hands on a copy; I've already placed a hold on a library copy.

Thus the quietness around here, and the plans, or hopes anyway, for making at least a little bit of noise in the near future.

Picture It

Sometime in the first year or two of my (apparently endless) PhD program, one of the children's lit professors offered a bit of advice culled from one of her own experiences on the job market. At an interview, she was asked to name three of her favorite current children's books - one picture book, one middle-grade, and one young adult. The advice she was offering was to stay current, or at least keep an eye on current trends.

I do a decent job of staying on top of what's happening in middle-grade and young adult fiction. I have a set of favorite authors who I follow, I discover new titles through the listserv and through a few select blogs (as well as the goodreads pages of some highly respected acquaintances and colleagues). I make a point of visiting the ALA awards pages, and I've been working my way through the Printz and Newbery honor lists, as well as a semi-random selection of other kinds of awards-winners.

But I realized a couple of weeks ago that I have fallen behind on picture books. When I worked at the bookstore, it was easy to keep up; the central display in the children's section was picture books, especially new and/or noteworthy picture books. I find that books, regardless of age or genre, act like breadcrumbs leading me to more books, and the picture book wall was no different: a book would lead me to look for others by that author, or by the illustrator - which in some cases, is even more fruitful, because most illustrators work on a variety of authors' books. I need to find some good picturebook blogs so I know what's happening; my other "idea" is to go wander the picture book section of the library, a section I both love and loathe - it's usually very noisy, and the shorter shelves mean that I end up crawling around the section on my knees to scan the shelves. This crawling - which I don't really mind in itself - attracts Looks from other patrons, though;  I suspect that the fact that I am conspicuously a grownup without a kid, literally on my knees in the children's picture book section, looks at least slightly odd. This makes me feel very sorry for any un-child'd guys who might want to examine the picturebooks - men around children, or children's stuff, is one of the few places where male privilege goes right out the window. [this is a topic for another post, but one I could discuss at length and feel strongly about].

Which leads me in a roundabout manner to the Exciting Discovery, a moment of serendipity, or maybe just coincidence. On my personal twitter account, I follow a variety of people of whom I am a fan; I made the personal account so I could fangirl out without crossing that particular nerdy stream with the bookish/academic nerdy stream. Anyway, Jonathan Coulton and John Roderick have a new christmas CD coming out, and they retweeted a photo of themselves with the CD and the illustrator of the cover.  I was curious, because I'm a fangirl, and clicked through, and discovered.....
Zack Rock!!**

He did the cover art for Coulton & Roderick's christmas album. AND - this is the exciting part - he's a children's book artist. Or intends to be. My opinion: should be, like immediately. Because I was immediately completely enchanted with his work.

Like this one, for instance, a commissioned piece that is cleverly tagged "cultured swine."

Look how warm and wonderful that bookshop is! Like you would walk in and unravel your scarf and pull off mittens in that lovely yellowy light, and it would have that Used Bookstore smell, and you could just daydream your way down the shelves while it got darker and colder outside. Maybe because of the pig, Zack Rock's work reminds me a bit of David Wiesner - that sort of dreamy watercolory look, I guess.

But there's also a not-exactly-surrealist-but-close thing going on with some of his work, which I also love. For instance, this image which combines two of my favorite things - hot-air balloons and windmills:

There's a nice little interview with him on Seven Impossible Things, which will tell you that he has an MA in Children's Book Illustration (a thing which I did not know existed), and that his MA thesis was about the other illustrator whose work Zack Rock's reminds me of: Shaun Tan). It's joyous to come across someone who very intentionally chooses to work in children's book illustration; so many artists seem to come to it by accident (happy accident or otherwise), and some, as with children's authors, still seem to need to distance themselves from being "merely" a children's book artist.

As I've mentioned - or at least implied - I'm not a picturebook specialist. I like them, I love some of them, and it's a genre that I am very happy to claim as one within my field.I have a small but respectable collection of picturebooks (highlights: Chris Van Allsburg, William Joyce, Maurice Sendak; I'm late to the Shaun Tan party but now that I'm there, I am there; I'm working on collecting his books). So while I don't have an arts degree, or even real picturebook expertise, I feel like I have enough knowledge and (I hope) taste to make a claim here and there about a picturebook or picturebook artist. And I will go right ahead and claim that Zack Rock's work is amazing - it's gorgeous and dreamy and evocative and clever and intelligent. It has that wonderful picturebook aesthetic that is as appealing on the page, in the context of a narrative, as it would be in a frame on the wall.

His website - because he is as yet unpublished (why? how? someone needs to change this) - displays an intelligence and wit that I really appreciate. I don't know about most people, but there's a cleverness that is right up my alley in, for instance, this description of Mel Goate and the Purple Velvet Tuxedo: "The tale of a musical young goat who yearns for the world's most sumptuous formalwear." Everything about that sentence delights me. I would read that book in a heartbeat.

Even more appealing to me is Homer Henry Hudson's Curio Museum, "brimming with mysterious artifacts and treasures, but its most curious inhabitant may prove to be its blind canine caretaker."  This painting (above), probably more than any other on his site, really caught and held my attention (and has kept it; I find my mind returning to the image and the idea at odd moments, like when I'm washing the dishes). I love the argyle socks and the plus-fours; I love the curiosities on display in the wall behind him; I love the filmy white eyes of the blind canine himself.  I have an intense curiosity to know what else is in that curio museum; I love a curio museum, fictional or factual, and this one looks especially good. I want this book to be made quite badly, because I want to see the museum.

This is good storytelling, and good art - on the strength of a single sentence and single image, I'm wondering about the rest of the story, and the rest of the pictures.

My incipient fangirling may be just because Zack Rock manages to hit all my aesthetic buttons - animals in clothes, windmills, hot-air balloons, books, Victorian curio museums, the cover of Coulton and Roderick's album - but I don't think so. I've read enough good picture books to feel semi-confident in my critical abilities, and I think Zack Rock's work is just flat-out good. I'm very keen to see what becomes of him and his fabulous art; I am hoping for very great things.

At the very least, he should be rewarded for using and spelling "piques" correctly on his website.


Postscript: Images posted/linked here are, of course, the sole and exclusive property of the artist, Zack Rock. But a few (too few!) prints by him are buyable through etsy. I think the Thoughtful Fox will be coming to my house before too much longer.






**For some reason, I seem unable to use anything but his two names at all times.

UPDATE: November is Picture Book Month!!!! How about that for synchronicity, or serendipity (which always sounds like the name of a sea monster), or coincidence?!  I'm slapping the Picture Book Month "ambassador" icon on the blog, not so much because I have passed the civil service exams and acquired diplomatic immunity, but because the icon is, um, really, really cute.
Now, go read some picture books. There are a ton of good ones out there.